Opera and Modern Spectatorship in Late Nineteenth-Century Italy
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Opera and Modern Spectatorship in Late Nineteenth-Century Italy
Campana, Alessandra (Tufts University, Massachusetts)
Cambridge University Press
01/2015
220
Dura
Inglês
9781107051898
15 a 20 dias
Alessandra Campana explores how operas and their stage manuals participated in the making of a modern public in late nineteenth-century Italy.
1. Staging manuals and the public; 2. The 'fleeting moment': Arrigo Boito's Mefistofele; 3. Milan 1881: Simon Boccanegra and the specters of history; 4. Acting in Otello: on the rhetoric of the medium; 5. The Real of opera: Puccini's Manon Lescaut; 6. Faust again: the silent film Rapsodia satanica and Mascagni's score; Postlude.
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Alessandra Campana explores how operas and their stage manuals participated in the making of a modern public in late nineteenth-century Italy.
1. Staging manuals and the public; 2. The 'fleeting moment': Arrigo Boito's Mefistofele; 3. Milan 1881: Simon Boccanegra and the specters of history; 4. Acting in Otello: on the rhetoric of the medium; 5. The Real of opera: Puccini's Manon Lescaut; 6. Faust again: the silent film Rapsodia satanica and Mascagni's score; Postlude.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
